Fly Geyser, United States

Fly Geyser, also known as Fly Ranch Geyser is a small geothermal geyser that is located approximately 20 miles (32 km) north of Gerlach, in Washoe County, Nevada. The Geyser is located in Hualapai Flat, about 1/3 of a mile from State Route 34. It is large enough to be seen from the road. Fly Geyser is located on the private Fly Ranch and is accessible only by a small private dirt road. The ranch is currently owned by Todd Jaksick. There is a high fence and a locked gate with several metal spokes on the top to keep trespassers out, but despite the booby traps, many people still prefer to jump the fence to get a better look. Several organizations have tried to purchase the land for conservation, and make it open to the public, but have been denied.




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Fly Geyser is a very little known tourist attraction, even to Nevada residents. It is located right near the edge of Fly Reservoir and is only about 5 feet (1.5 m) high, (12 feet (3.7 m) if you count the mound on which it sits). The Geyser is not an entirely natural phenomenon, and was accidentally created in 1916 during the drilling of a well. The well functioned normally for several decades, but then in the 1960s geothermally heated water found a weak spot in the wall and began escaping to the surface. Dissolved minerals started rising and piling up, creating the mount on which the geyser sits, which is still growing to date. Today, water is constantly squirting out reaching 5 feet (1.5 m) in the air. The geyser contains several terraces discharging water into 30 to 40 pools over an area of 30 hectares (74 acres). The geyser is made up of a series of different minerals, which gives it its magnificent coloration.


[youtube http://www.youtube.com/watch?v=jXhl5oKzCCg?rel=0]


There are two additional geysers in the area that were created in a similar way as Fly Geyser. The first geyser is approximately 3 feet high and is shaped like a miniature volcano. The second geyser is cone shaped and is of the same approximate size as Fly Geyser. Like Fly Geyser, these geysers are continually growing.

Bailong Elevator, China

The Bailong Elevator (literally Hundred Dragons Elevator) is a glass elevator built onto the side of a huge cliff in the Wulingyuan area of Zhangjiajie, China that is 1,070 feet (330 m) high. It is claimed to be the highest and heaviest outdoor elevator in the world. Construction of the elevator began in October 1999, and it was opened to the public by 2002. The environmental effects of the elevator have been a subject of debate and controversy, as the Wulingyan area was designated a World Heritage Site in 2002. Operations were stopped for 10 months in 2002-2003, reportedly due to safety concerns, not environmental ones.


The glass elevator runs along a cliff face. The first 154 meters runs through a underground shaft and the rest 172 meters outside the summit. The elevator takes 50 people per ride and takes about 2 minutes from top to bottom giving it a daily capacity of 18,000 people. It is the highest and heaviest outdoor elevator in the world but is facing an uncertain future since it was built in 1999 without consulting the World Heritage Committee and the construction of new structures are forbidden. The claim is that it is causing harm to it’s surrounding landscape.




[caption id="attachment_318" align="aligncenter" width="600" caption="Bailong Elevator, China"]Bailong Elevator, China[/caption]

Dogon Buildings, Mali

The Dogon are an ethnic group living in the central plateau region of Mali, south of the Niger bend near the city of Bandiagara in the Mopti region. The population numbers between 400,000 and 800,000. The Dogon are best known for their religious traditions, their mask dances, wooden sculpture and their architecture. The past century has seen significant changes in the social organization, material culture and beliefs of the Dogon, partly because Dogon country is one of Mali's major tourist attractions.




[caption id="attachment_304" align="aligncenter" width="750" caption="Dogon Building in Mali"]Dogon Building in Mali[/caption]

Dogon art is primarily sculpture. Dogon art revolves around religious values, ideals, and freedoms. Dogon sculptures are not made to be seen publicly, and are commonly hidden from the public eye within the houses of families, sanctuaries, or kept with the Hogon. The importance of secrecy is due to the symbolic meaning behind the pieces and the process by which they are made. Themes found throughout Dogon sculpture consist of figures with raised arms, superimposed bearded figures, horsemen, stools with caryatids, women with children, figures covering their faces, women grinding pearl millet, women bearing vessels on their heads, donkeys bearing cups, musicians, dogs, quadruped-shaped troughs or benches, figures bending from the waist, mirror-images,roned figures, and standing figures. Signs of other contacts and origins are evident in Dogon art. The Dogon people were not the first inhabitants of the cliffs of Bandiagara. Influence from Tellem art is evident in Dogon art because of its rectilinear designs.




[caption id="attachment_305" align="aligncenter" width="750" caption="Dogon Building, Mali"][/caption]

Dogon villages have different buildings:


Male granary: storage place for pearl millet and other grains. Building with a pointed roof. This building is well protected from mice. The amount of filled male granaries is an indication for the size and the richness of a guinna.


Female granary: storage place for a woman's things, her husband has no access. Building with a pointed roof. It looks like a male granary but is less protected against mice. Here, she stores her personal belongings such as clothes, jewelry, money and some food. A woman is economically independent and earnings and things related to her merchandise are stored in her personal granary. She can for example make cotton or pottery. The amount of female granaries is an indication for the amount of women living in the guinna.


Tógu nà: a building only for men. They rest here much of the day throughout the heat of the dry season, discuss affairs and take important decisions in the toguna. The roof of a toguna is made by 8 layers of millet stalks. It is a low building in which one cannot stand upright. This helps avoiding violence when discussions get heated.


House for menstruating women: this house is on the outside of the village. It is constructed by women and is of lower quality than the other village buildings. Women having their period are considered to be unclean and have to leave their family house to live during five days in this house. They use kitchen equipment only to be used here. They bring with them their youngest children. This house is a gathering place for women during the evening. This hut is also thought to have some sort of reproductive symbology due to the fact that the hut can be easily seen by the men who are working the fields who know that only women who are on their period, and thus not pregnant, can be there.

Aurora Borealis, North Pole

An aurora is a natural light display in the sky particularly in the high latitude (Arctic and Antarctic) regions, caused by the collision of energetic charged particles with atoms in the high altitude atmosphere (thermosphere). The charged particles originate in the magnetosphere and solar wind and, on Earth, are directed by the Earth's magnetic field into the atmosphere. Aurora is classified as diffuse or discrete aurora. Most aurorae occur in a band known as the auroral zone which is typically 3° to 6° in latitudinal extent and at all local times or longitudes. The auroral zone is typically 10° to 20° from the magnetic pole defined by the axis of the Earth's magnetic dipole. During a geomagnetic storm, the auroral zone will expand to lower latitudes. The diffuse aurora is a featureless glow in the sky which may not be visible to the naked eye even on a dark night and defines the extent of the auroral zone. The discrete aurora are sharply defined features within the diffuse aurora which vary in brightness from just barely visible to the naked eye to bright enough to read a newspaper at night. Discrete aurorae are usually observed only in the night sky because they are not as bright as the sunlit sky. Aurorae occur occasionally poleward of the auroral zone as diffuse patches[3] or arcs (polar cap arcs) which are generally invisible to the naked eye.



In northern latitudes, the effect is known as the aurora borealis (or the northern lights), named after the Roman goddess of dawn, Aurora, and the Greek name for the north wind, Boreas, by Pierre Gassendi in 1621. Auroras seen near the magnetic pole may be high overhead, but from farther away, they illuminate the northern horizon as a greenish glow or sometimes a faint red, as if the Sun were rising from an unusual direction. Discrete aurorae often display magnetic field lines or curtain-like structures, and can change within seconds or glow unchanging for hours, most often in fluorescent green. The aurora borealis most often occurs near the equinoxes. The northern lights have had a number of names throughout history. The Cree call this phenomenon the "Dance of the Spirits". In Europe, in the Middle Ages, the auroras were commonly believed a sign from God (see Wilfried Schröder, Das Phänomen des Polarlichts, Darmstadt 1984). Its southern counterpart, the aurora australis (or the southern lights), has almost identical features to the aurora borealis and changes simultaneously with changes in the northern auroral zone and is visible from high southern latitudes in Antarctica, South America, New Zealand and Australia. Aurorae occur on other planets. Similar to the Earth's aurora, they are visible close to the planet's magnetic poles. Modern style guides recommend that the names of meteorological phenomena, such as aurora borealis, be uncapitalized.


In the past theories have been proposed to explain the phenomenon. These theories are now obsolete. Seneca speaks diffusely on auroras in the first book of his Naturales Quaestiones, drawing mainly from Aristotle; he classifies them ("putei" or wells when they are circular and "rim a large hole in the sky", "pithaei" when they look like casks, "chasmata" from the same root of the English chasm, "pogoniae" when they are bearded, "cyparissae" when they look like cypresses), describes their manifold colors and asks himself whether they are above or below the clouds. He recalls that under Tiberius, an aurora formed above Ostia, so intense and so red that a cohort of the army, stationed nearby for fireman duty, galloped to the city. Benjamin Franklin theorized that the "mystery of the Northern Lights" was caused by a concentration of electrical charges in the polar regions intensified by the snow and other moisture.


[youtube http://www.youtube.com/watch?v=Ip2ZGND1I9Q?rel=0]


Auroral electrons come from beams emitted by the Sun. This was claimed around 1900 by Kristian Birkeland, whose experiments in a vacuum chamber with electron beams and magnetized spheres (miniature models of Earth or "terrellas") showed that such electrons would be guided towards the polar regions. Problems with this model included absence of aurora at the poles themselves, self-dispersal of such beams by their negative charge, and more recently, lack of any observational evidence in space. The aurora is the overflow of the radiation belt ("leaky bucket theory"). This was first disproved around 1962 by James Van Allen and co-workers, who showed that the high rate of energy dissipation by the aurora would quickly drain the radiation belt. Soon afterward, it became clear that most of the energy in trapped particles resided in positive ions, while auroral particles were almost always electrons, of relatively low energy.


The aurora is produced by solar wind particles guided by Earth's field lines to the top of the atmosphere. This holds true for the cusp aurora, but outside the cusp, the solar wind has no direct access. In addition, the main energy in the solar wind resides in positive ions; electrons only have about 0.5 eV (electron volt), and while in the cusp this may be raised to 50–100 eV, that still falls short of auroral energies. After the Battle of Fredericksburg the lights could be seen from the battlefield that night. The Confederate army took it as a sign that God was on their side during the battle. It was very rare that one could see the Lights in Virginia.

Takstang Monastery, Bhutan

Paro Taktsang (spa phro stag tshang / spa gro stag tshang), is the popular name of Taktsang Palphug Monastery (also known as The Tiger's Nest), a prominent Himalayan Buddhist sacred site and temple complex, located in the cliffside of the upper Paro valley, Bhutan. A temple complex was first built in 1692, around the Taktsang Senge Samdup (stag tshang seng ge bsam grub) cave where Guru Padmasambhava is said to have meditated for three months in the 8th century. Padmasambhava is credited with introducing Buddhism to Bhutan and is the tutelary deity of the country. Today, Paro Taktsang is the best known of the thirteen taktsang or "tiger lair" caves in which he meditated. The Guru mTshan-brgyad Lhakhang, the temple devoted to Padmasambhava (also known as Gu-ru mTshan-brgyad Lhakhang, "The Temple of the Guru with Eight Names") is an elegant structure built around the cave in 1692 by Gyalse Tenzin Rabgye; and has become the cultural icon of Bhutan. A popular festival, known as the Tsechu, held in honour of Padmasambhava, is celebrated in the Paro valley sometime during March or April.



According to the legend related to this Taktsang (which in Tibetan language is spelt (stag tshang) which literally means "Tiger's lair", it is believed that Padmasambhava (Guru Rinpoche) flew to this location from Tibet on the back of a tigress from Khenpajong. This place was consecrated to tame the Tiger demon. Guru Padmasambhava founder of the meditations cave. Wall painting on Paro Bridge. An alternative legend holds that a former wife of an emperor, known as Yeshe Tsogyal, willingly became a disciple of Guru Rinpoche (Padmasambahva) in Tibet. She transformed herself into a tigress and carried the Guru on her back from Tibet to the present location of the Taktsang in Bhutan. In one of the caves here, the Guru then performed meditation and emerged in eight incarnated forms (manifestations) and the place became holy. Subsequently, the place came to be known as the “Tiger's Nest”.


The popular legend of the Taktsang monastery is further embellished with the story of Tenzin Rabgye, who built the temple here in 1692. It has been mentioned by authors that the 8th century guru Padmasmabhava had reincarnated again in the form of Tenzin Rabgye. The corroborative proofs mooted are: that Tenzin Rabgye was seen (by his friends) concurrently inside and outside his cave; even a small quantity of food was adequate to feed all visitors; no one was injured during worship (in spite of the approach track to the monastery being dangerous and slippery); and the people of the Paro valley saw in the sky various animal forms and religious symbols including a shower of flowers that appeared and also vanished in the air without touching the earth.


[youtube http://www.youtube.com/watch?v=iWHRvx1VZxM?rel=0]


As noted earlier, the monastery was built around the Taktsang Senge Samdup (stag tshang seng ge bsam grub) cave, where custom holds that the Indian Guru Padmasambahva meditated in the 8th century. He flew to this place from Tibet on the back of Yeshe Tsogyal, whom he transformed into a flying tigress for the purpose and landed at the cliff, which he "anointed" as the place for building a monastery. He established Buddhism and the Nyingmapa school of Mahayana Buddhism in Bhutan, and has been considered the “protector saint of Bhutan”. Later, Padmasmbahva visited Bumthang district to subdue a powerful deity offended by a local king. Padmasambhava's body imprint is stated to be imprinted on the wall of a cave near Kurje Lhakhang temple. In 853, Langchen Pelkyi Singye came to the cave to meditate and gave his name of Pelphug to the cave, "Pelkyi's cave". After he died later in Nepal, his body was said to have been miraculously returned to the monastery by the grace of the deity Dorje Legpa; it is now said to be sealed in a chorten in a room to the left at the top of the entrance stairway. The chorten was restored in 1982-83 and again in 2004.