The Dogon are an ethnic group living in the central plateau region of Mali, south of the Niger bend near the city of Bandiagara in the Mopti region. The population numbers between 400,000 and 800,000. The Dogon are best known for their religious traditions, their mask dances, wooden sculpture and their architecture. The past century has seen significant changes in the social organization, material culture and beliefs of the Dogon, partly because Dogon country is one of Mali's major tourist attractions.
[caption id="attachment_304" align="aligncenter" width="750" caption="Dogon Building in Mali"]
[/caption]Dogon art is primarily sculpture. Dogon art revolves around religious values, ideals, and freedoms. Dogon sculptures are not made to be seen publicly, and are commonly hidden from the public eye within the houses of families, sanctuaries, or kept with the Hogon. The importance of secrecy is due to the symbolic meaning behind the pieces and the process by which they are made. Themes found throughout Dogon sculpture consist of figures with raised arms, superimposed bearded figures, horsemen, stools with caryatids, women with children, figures covering their faces, women grinding pearl millet, women bearing vessels on their heads, donkeys bearing cups, musicians, dogs, quadruped-shaped troughs or benches, figures bending from the waist, mirror-images,roned figures, and standing figures. Signs of other contacts and origins are evident in Dogon art. The Dogon people were not the first inhabitants of the cliffs of Bandiagara. Influence from Tellem art is evident in Dogon art because of its rectilinear designs.
[caption id="attachment_305" align="aligncenter" width="750" caption="Dogon Building, Mali"]
[/caption]Dogon villages have different buildings:
Male granary: storage place for pearl millet and other grains. Building with a pointed roof. This building is well protected from mice. The amount of filled male granaries is an indication for the size and the richness of a guinna.
Female granary: storage place for a woman's things, her husband has no access. Building with a pointed roof. It looks like a male granary but is less protected against mice. Here, she stores her personal belongings such as clothes, jewelry, money and some food. A woman is economically independent and earnings and things related to her merchandise are stored in her personal granary. She can for example make cotton or pottery. The amount of female granaries is an indication for the amount of women living in the guinna.
Tógu nà: a building only for men. They rest here much of the day throughout the heat of the dry season, discuss affairs and take important decisions in the toguna. The roof of a toguna is made by 8 layers of millet stalks. It is a low building in which one cannot stand upright. This helps avoiding violence when discussions get heated.
House for menstruating women: this house is on the outside of the village. It is constructed by women and is of lower quality than the other village buildings. Women having their period are considered to be unclean and have to leave their family house to live during five days in this house. They use kitchen equipment only to be used here. They bring with them their youngest children. This house is a gathering place for women during the evening. This hut is also thought to have some sort of reproductive symbology due to the fact that the hut can be easily seen by the men who are working the fields who know that only women who are on their period, and thus not pregnant, can be there.
